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Source: The Unz Review
Harold Covington's Northwest Novels
EDMUND CONNELLY • MAY 4, 2021 • 210 COMMENTS
The War on Whites is moving to a higher level — fast. Signs are everywhere; they are undeniable. First and foremost, understand and accept that this is happening. For many, there will be no escape. If you are White and don't yet grasp what is happening, quickly find out from someone who does. Lives will depend on it.
Harold Covington's Northwest Novels
EDMUND CONNELLY • MAY 4, 2021 • 210 COMMENTS
In my previous TOO article, I reviewed "collapse" novels by Matthew Bracken as a means to put average Whites in the frame of mind needed to accept that "our" government is now fully ready to attack us. All institutions are now arrayed against the White Christian founding stock of the United States of America: from the government, to the media, to education, to corporations, to the military, to the churches — all of it. And I know many of you readers see this. Some, however, don't.
To me this is highly perplexing, as it is to TOO writer Thomas Dalton, who recently addressed this puzzle. "How," he asked about such people, "can they be in denial of what is, from a rational and objective standpoint, surely one of the major problems facing civilized humanity?" Deny it they do, which is why I've tried a variety of approaches here at TOO over the last dozen years or so. For instance, in my Bracken review, I did something new in my writing: I deliberately crafted my account for normies, with no reference whatsoever to Jews. Surely long-time readers noticed this. While I did it in part to allow TOO readers to share my ideas and Bracken's descriptions with those Whites not yet awake, my primary purpose was to create a sudden shock when current review appeared, for the central message, the key to understanding the War on Whites is this: This war is being waged by the mainstream, organized Jewish community. This cannot be denied.
To my amazement, however, a hefty majority who correctly write about the danger facing the White race either fail or refuse to take their analysis to its obvious conclusion: Who is behind this vast swatch of anti-White activism? I would have thought that with the release of Kevin MacDonald's trilogy on Jews in the 1990s and its subsequent filtering into the growing culture of the Dissident or Alt-Right, the matter of who is on the attack would be settled. Unfortunately, it is far from settled, with a growing retreat from the obvious since Charlottesville in 2017 and the rise of "cancel culture" and deplatforming since.
Take, for instance, this typical headline: "These Key Similarities Between Lenin's Red Terror and America's Woke Culture Reveal Left’s Blueprint for Complete Takeover." Shouldn't that alert most educated people to the group we are discussing? I mean, right here in the opening of that blog, the author puts this in bold: "Cancel culture is the prelude to the rape, torture, and murder of the American people by a resentful underclass goaded on by a parasitic globalist ruling class."
Say those last four words slowly: "parasitic globalist ruling class.” That sounds a lot like reporter Matt Taibbi's excellent introduction to his essay "The Great American Bubble Machine," where he wrote these immortal words: "The first thing you need to know about Goldman Sachs is that it's everywhere. The world's most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money." Aren't we talking here about some rather obvious, reliable identifiers here?
Readers, we are talking about the organized Jewish community. And it does no good to cleverly try to avoid saying this, mainly because Americans can't figure it out if it’s not asserted in plain language. Thus, we have Andrew Joyce in "Vulture Capitalism is Jewish Capitalism" with his entreaty to "Strike through the mask!" Name the Jew. Joyce asserts that “the problem presented by these cabals of exploitative financiers will only be solved if their true nature is fully discerned." Such a sentiment was immediately echoed by John Q. Publius when he wrote that the role of writers at TOO is "to shoulder our way into the conversation and show plainly the architects of this modern horror show," be it in Washington, Hollywood or on Wall Street.
This present essay names Jews as "the architects of this modern horror show," the sponsors of this War on Whites. In fact, throughout my entire adult life, I have seen (and experienced) an escalation of the Jewish War on Whites, something that was so thoroughly documented for us in Kevin MacDonald’s trilogy on Jews, culminating in his 1998 Culture of Critique. Since then, MacDonald, E. Michael Jones, writers on this site, and many others have added trenchant commentary on this existential threat to Whites. One indefatigable pro-White activist was the late Harold Covington, who wrote novels that began as The Northwest Trilogy, became The Northwest Quartet, then finished as The Northwest Quintet. Every man just listed insists on naming the Jew.
I wrote about Harold Covington and his Northwest novels precisely ten years ago here, and the uproar over that has been unmatched by anything I've written since. The late Harold Covington (he died on July 17, 2018) had many enemies in "The Movement," but that is not the point that now concerns me. Rather, I'd argue that Covington's premises in his Northwest novels concerning a Jewish War on Whites are more relevant now with a new Democratic administration in office than they were when I wrote about him ten years ago. So much in those five novels is what we are actually living through today that I want readers of TOO to imagine a world in which the United States Government is essentially at war with a huge proportion of the White population (and can later mop up the surviving "useful idiot" liberal Whites acting as foot soldiers in this larger War on Whites).
Because Covington was such a contentious figure, I will offer a brief defense of using his prose by turning to former editor of The Occidental Quarterly (who now runs his own site, Counter-Currents) Greg Johnson, who in late 2009 or early 2010 wrote:
Again, we hear all manner of advice on how Whites can move forward, far too much of which never names the elephant in the room. A man writing as "Chechar" does not have that problem, and he also recognizes the value of Covington's thought as transmitted through fiction. "The notion that racialists follow the left's Gramscian 'march through the institutions,'" writes Chechar, "is equally unserious. Covington's Northwest Volunteer Army is a hundred times more realistic than the thought of re-establishing the integrity of White life through elections or an expanded media." The left dominates the universities and the media, and they will not surrender it. Academic hiring his rigidly policed, and the media is hopelessly anti-White.
Please go to The Unz Review to learn more how your life is in imminent danger.
To me this is highly perplexing, as it is to TOO writer Thomas Dalton, who recently addressed this puzzle. "How," he asked about such people, "can they be in denial of what is, from a rational and objective standpoint, surely one of the major problems facing civilized humanity?" Deny it they do, which is why I've tried a variety of approaches here at TOO over the last dozen years or so. For instance, in my Bracken review, I did something new in my writing: I deliberately crafted my account for normies, with no reference whatsoever to Jews. Surely long-time readers noticed this. While I did it in part to allow TOO readers to share my ideas and Bracken's descriptions with those Whites not yet awake, my primary purpose was to create a sudden shock when current review appeared, for the central message, the key to understanding the War on Whites is this: This war is being waged by the mainstream, organized Jewish community. This cannot be denied.
To my amazement, however, a hefty majority who correctly write about the danger facing the White race either fail or refuse to take their analysis to its obvious conclusion: Who is behind this vast swatch of anti-White activism? I would have thought that with the release of Kevin MacDonald's trilogy on Jews in the 1990s and its subsequent filtering into the growing culture of the Dissident or Alt-Right, the matter of who is on the attack would be settled. Unfortunately, it is far from settled, with a growing retreat from the obvious since Charlottesville in 2017 and the rise of "cancel culture" and deplatforming since.
Take, for instance, this typical headline: "These Key Similarities Between Lenin's Red Terror and America's Woke Culture Reveal Left’s Blueprint for Complete Takeover." Shouldn't that alert most educated people to the group we are discussing? I mean, right here in the opening of that blog, the author puts this in bold: "Cancel culture is the prelude to the rape, torture, and murder of the American people by a resentful underclass goaded on by a parasitic globalist ruling class."
Say those last four words slowly: "parasitic globalist ruling class.” That sounds a lot like reporter Matt Taibbi's excellent introduction to his essay "The Great American Bubble Machine," where he wrote these immortal words: "The first thing you need to know about Goldman Sachs is that it's everywhere. The world's most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money." Aren't we talking here about some rather obvious, reliable identifiers here?
Readers, we are talking about the organized Jewish community. And it does no good to cleverly try to avoid saying this, mainly because Americans can't figure it out if it’s not asserted in plain language. Thus, we have Andrew Joyce in "Vulture Capitalism is Jewish Capitalism" with his entreaty to "Strike through the mask!" Name the Jew. Joyce asserts that “the problem presented by these cabals of exploitative financiers will only be solved if their true nature is fully discerned." Such a sentiment was immediately echoed by John Q. Publius when he wrote that the role of writers at TOO is "to shoulder our way into the conversation and show plainly the architects of this modern horror show," be it in Washington, Hollywood or on Wall Street.
This present essay names Jews as "the architects of this modern horror show," the sponsors of this War on Whites. In fact, throughout my entire adult life, I have seen (and experienced) an escalation of the Jewish War on Whites, something that was so thoroughly documented for us in Kevin MacDonald’s trilogy on Jews, culminating in his 1998 Culture of Critique. Since then, MacDonald, E. Michael Jones, writers on this site, and many others have added trenchant commentary on this existential threat to Whites. One indefatigable pro-White activist was the late Harold Covington, who wrote novels that began as The Northwest Trilogy, became The Northwest Quartet, then finished as The Northwest Quintet. Every man just listed insists on naming the Jew.
I wrote about Harold Covington and his Northwest novels precisely ten years ago here, and the uproar over that has been unmatched by anything I've written since. The late Harold Covington (he died on July 17, 2018) had many enemies in "The Movement," but that is not the point that now concerns me. Rather, I'd argue that Covington's premises in his Northwest novels concerning a Jewish War on Whites are more relevant now with a new Democratic administration in office than they were when I wrote about him ten years ago. So much in those five novels is what we are actually living through today that I want readers of TOO to imagine a world in which the United States Government is essentially at war with a huge proportion of the White population (and can later mop up the surviving "useful idiot" liberal Whites acting as foot soldiers in this larger War on Whites).
Because Covington was such a contentious figure, I will offer a brief defense of using his prose by turning to former editor of The Occidental Quarterly (who now runs his own site, Counter-Currents) Greg Johnson, who in late 2009 or early 2010 wrote:
So, for the sake of argument, let's accept that everything you and the other Covington and Duke detractors who have contacted me say about these men is true. So what? I am not entrusting them with the virtue of my daughters, or the control of my trust fund, or the keys to my home. I am reviewing and discussing their ideas because I judge them interesting and relevant to White Nationalism.Further, one of the premier former writers in TOQ and C-C stables, Michael O'Meara (now sadly missing in action), gave an intelligent and rousing endorsement of Covington's early Northwest novels, writing:
Political fiction has one overriding purpose: to reach those who can't be reached through rational discourse. In this, Covington's Trilogy is superb. It is full of memorable characters — classic American types (daring, two-fisted White men) who remind us of our ancestors and not the ridiculous creatures we see on nightly television. It abounds with actions and adventures that evoke our earliest racial memories and reveal what we can be once free of the Jews' lunar spirit. It conveys the ideals of our movement in a language and style accessible to those who might otherwise ignore them. It tells an exciting story that is both entertaining and didactic. But above all it imagines a course of action — perhaps the one possible course of action — that will ensure our existence as a people. Whatever one may say of Covington the activist, it has to be acknowledged that he's made a work of art of his separatist vision, and it deserves a hearing.(I can't resist noting that O'Meara himself wrote at least some things in a way that paralleled The Northwest narratives of war and violence. Frankly, I've always been surprised that no one has raised any eyebrows at the thrust of O'Meara's thrilling book Toward the White Republic [Counter-Currents, 2010] a used copy of which still lists for over $1,000 on Amazon.com. One of the last chapters is [literally] an incendiary account titled "The Hotrod of the Apocalypse," which can be read here. The point is that O'Meara has an unusually deep understanding of Covington's intent in writing the Northwest novels.)
Again, we hear all manner of advice on how Whites can move forward, far too much of which never names the elephant in the room. A man writing as "Chechar" does not have that problem, and he also recognizes the value of Covington's thought as transmitted through fiction. "The notion that racialists follow the left's Gramscian 'march through the institutions,'" writes Chechar, "is equally unserious. Covington's Northwest Volunteer Army is a hundred times more realistic than the thought of re-establishing the integrity of White life through elections or an expanded media." The left dominates the universities and the media, and they will not surrender it. Academic hiring his rigidly policed, and the media is hopelessly anti-White.
Please go to The Unz Review to learn more how your life is in imminent danger.
________
More violence and brutality on whites:
More violence and brutality on whites:
Drop the religion and go pagan then get some trigger time. Learn how to kill because your life is now going to depend on it. Return to your Germanic pagan roots and learn the art of savage warfare. Revert your political status back to the land and then fight for it. Get off your keyboards and your fucking game consoles. Go outside and learn how to swing a battle axe on the land. The warrior calls...protect your family, protect your tribe...
Warning: Go beyond this point and you arrive at the hard core reality of our circumstances very few intrepid souls dare go:
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