by Miles Mathis
First published November 21, 2019
I just watched Amadeus again, so all the old questions resurfaced. We already know Peter Shaffer's story is false in many ways, since they admit it. Salieri could sue for defamation were he alive, since he was not a mediocrity and there is no evidence he killed Mozart or allowed him to die. Mozart was not buried in a communal grave or pauper's grave, the original story being he was buried in a commoner's grave (not a common grave). But that just means he was not buried in a noble's grave, which would have been protected from re-plotting after 10 years. He was also not poor at his death, or in major debt. The previous year had been his best in years, and he had made a lot of money.
He also did not write “as if he was taking dictation from God” or whatever. He made notes and drafts, and this is admitted. It is also admitted his wife Constanze later destroyed most of them, to clean up his oeuvre or for other reasons. And since I will show you Mozart actually became his own conservator and archivist, it was he who destroyed his drafts. Probably not to make it look like he was infallible, but simply because he didn't wish for his process to detract from his final product. As an artist, I can tell you this is completely understandable. Few artists of any kind save their failures. Why would they be expected to?
Given that Mozart was already famous at his death, with Haydn calling him the greatest living composer, it makes no sense that his grave would not be marked, tended, and saved, noble or not. It is beyond belief that we don't know what grave he was in or where his body was over the centuries. All this already points at a fake, before we even research anything.
So why would Shaffer tell us a tale he must have known was false? Why would Milos Forman bring it to the big screen? Why would it be promoted to the hilt and win so many awards? Yes, the film is very well made and quite entertaining, and I am not here to deny it. But it now looks to me like cover.
Mozart's death has been the target of a huge amount of misdirection over the centuries, and this is just the latest example. So I intuit there is something worth covering there. It has been very important to someone that the truth not be discovered here. It's like if you have a cat and you find a little pile of leaves and grass pushed into a pile in the yard: you know that the odds are very high you will find some poop underneath. Same logic here.
The story of Mozart and Salieri started with Pushkin, who was a Russian Jew. We may assume Peter Shaffer and Milos Forman are also Jewish. A little research confirms Shaffer is Jewish, since his middle name is Levin. Forman is also admitted to be Jewish. So that gets us started.
In the same way, I find it suspicious that Wikipedia has a separate page entitled "Mozart and Christianity". They have created an entire page, trying to convince you Mozart was Christian. They don't do that for others, and Mozart wasn't especially religious, so why would they do it? Probably because he wasn't Christian, but they are very intent that you believe he was.
After just a half-hour of research, I was already intuiting two things: Mozart was Jewish and he faked his death for some reason. All the piles of leaves were pointing in that direction. So let's see if we can solidify that intuition. As regards the Jewish question, it isn't hard. He was short and ugly with a big nose and lots of hair. That doesn't decide it, of course, and I am not claiming it does, but it leads us in. I will show you a lot more decisive evidence, but while we are here, let's compare him to somebody.
Do you see it? They have the same noses, the same little mouths, and the same face shapes. Their eyes are similar as well, being tilted up on the outside to a similar degree. The only major difference is that actor Jeffrey Jones is about a foot taller than Mozart was. Which leads me to believe they are related. This is normally how these roles are assigned, as we have seen many times. Actors who are related to their characters are chosen. However, since—due to his height—Jones obviously couldn't play Mozart, they gave him the role of the Emperor Joseph instead—who he was also related to, I assume.
Jeffrey Duncan Jones has a genealogy posted at Ethnicelebs, so possibly we can confirm my guess. He was indeed from German lines on one side. Here are the names they give us, with the last four the German ones: Duncan, Morton, Seely, Owen, Simeon, Absalom, Ford, Bennet, Stocum, Neff, Solomon, Grant, Schooley, Whiteman, Gleason, Kelberer, Ehinger, Roller, Strate. So he is without a doubt Jewish through his mother the Seely, as well as other lines, which explains his presence in Hollywood.
Jones has been scrubbed from the peerage, but his relatives are still there, including Nigel Silva Jones of Victoria, BC, and his son Duncan. Jeffrey Jones is also from Canada, so Nigel may be a brother or cousin. This links Jeffrey to the O'Tooles, including I assume Peter O'Toole. These Jones of Canada quickly go back to London, but then are scrubbed before we get to the 19th century.
As for Mozart, the name was originally Motzhart, so it may mean Moses' heart. Wolfgang's granddaughter married a Milano, indicating to me a blood link to actress Alyssa Milano. Alyssa's genealogy is unusually well scrubbed, with no mother's maiden name and no grandparents, indicating something big being hidden. My guess is it is even bigger than Mozart, like one of the top Nazis, but I intuit Mozart is there as well.
Wikipedia tells us both of Mozart's sons failed to marry or have children, ending the line, but Geni.com says otherwise. There we find first son Carl/Karl married a NN (no name) Mozart and had a daughter named Constanze. He was a merchant and official in the Austrian finance department in Milan. Second son Franz married Beatrice Mozart, no maiden name given, and their daughter Aletta married Carlo Milano. Their child was named Benjamino and he married Susanna Reykhaywel. Their son is Johnny Milano, who married a woman named Gerd and had two children (private).
So why are so many places like Wikipedia and Quora lying to us about Mozart's descendants? I suppose to protect the information we are digging out here. You will tell me these pages at Geni are wrong, but they have been up almost five years. If this was some sort of joke edit, it looks like the Geni police would have noticed in five years. Like Wikipedia, Geni is not just a free-for-all. You can't just create a page and connect your family to whoever you like for fun.
Mozart's sister Maria Anna (Nannerl) married Johann von Berchtold zu Sonnenburg, Baron of Sonnenburg, who was not only Jewish but a Jewish noble. Nannerl's son Leopold married a Fuggs, scrubbed. These Sonnenburgs are also Pussers von Winkel und Wildthurn, Gschwendtners von Freyenegg, and Voegeles. So the Mozarts were not commoners.
Wolfgang's mother was a Pertl, probably a slur of Perl, Perlman. Her mother was an Altmann. Think of Rhea Perlman, Ron Perlman and Robert Altman of Hollywood. The Altmanns take us to the Zachners, Zalners, Khiens, Pockls, Oellers, and Puxbaums. The Khien is probably a variant of Kohen. Wolfgang's father was also a Sulzer, a Baur, a Harrer, a Negler, and a Langeneck. His uncles and aunts were Eschenbach, Bernardt, Bilger, and Kevenfiller. Negler is a variant of Nagler/Nagle and is Jewish. Baur is a variant of Bayer, ditto. The Eschenbach was also a noble, and their daughter married Franz Streitel. Remember, Jeffrey Jones is a Strate. My guess is Streitel became Strate, giving us the link.
We also learn of recent descendants of Nannerl, including Karoline Grau, nee Mozart, who died in 1965. They don't tell us how she had the maiden name Mozart, since it couldn't have come to her through Nannerl, could it? So the Mozarts must have married back into the Sonnenburg family at some point, eh? But since the other Mozarts in this line are supposed to have died out, we have a problem there. Also see Bertha Forschter, great-granddaughter of Nannerl.
Please go to Updates to read the entire essay.
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Related:
Red Ice Radio: Robert Newman 29MAR2009 Part 1
More:
Robert Newman: The Mozart Myth ("The Assassination of Mozart")
The money-making scam continues:
Mozart Vs Salieri
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