Etienne Sauret - WTC: The First 24 Hours - SoHo Terrace: 145 Avenue of the Americas - Exceptional WTC Footage = Foreknowledge?

Abel Danger forensic economic investigation into the "first live-broadcast, mass snuff film in human history", Etienne Sauret, 145 Sixth Avenue, SoHo (and Soho)

Etienne Sauret

Êtes-vous observateur?

WTC: The First 24 Hours (released 2002)

The building in the foreground on the left is?

Identification
Name: 101 Avenue of the Americas
Alternative name: 101 - 6th Avenue at Grand Street, NE corner
Between: Grand Street and Watts Street
Year built: 1992
Height (architectural): 97.23 m
Floors (above ground): 25
Zone: Hudson Square
Neighborhood: SoHo
District: Manhattan
City: New York City

101 (block): This 1992 25-story tower is the headquarters of the Building Services Employees International Union. [It's directly across from 100 Avenue of the Americas – where a BBC film crew featuring correspondent Jane Standley announced WTC7's collapse before it happened. Who had provided them with the advance script?]

http://www.nysonglines.com/6av.htm#grand

101 Avenue of the Americas

Sauret's exceptional WTC footage: 'Aired on CNN at an unknown time. Professional quality. His shot features the earth apparently shaking ~10 seconds before the "collapse." Comparing other videos finds no verification of the phenomenon (see for instance Rick Siegel 911 Eyewitness Hoboken compared).

'Camera location at 145 Ave of the Americas was about 1.54km away, and considering the time it takes for seismic waves to travel ("surface waves" being half as fast as primary waves, or sound waves... the speed of sound through granite is 5,000 m/s), the shake would have taken about a second to travel to Sauret's camera.

'To use his video as proof of demolition (or at least to prove NIST lied in their exterior column failure claim), analysis of the slow motion video shows the antenna dropped first. The collapse initiated inside the core.

'The acclaimed Sauret documentary is titled "WTC: The First 24 Hours." Scenes from the film were featured in the famous Naudet documentary "9/11," among many others. The footage of Ground Zero, empty and quiet, is particularly striking. The DVD is really 2 films, one artistically short and one extended.'

"We have chosen a well known video clip of the collapse associated with French film maker, Etienne Sauret. The Sauret clip has advantages over many others. It is a single, continuous sequence with no changes in camera angle and no zooming in or out. There is a very slight shift in the camera position relative to distant objects caused by a trembling of the camera several seconds prior to the collapse, but this is irrelevant to us since all our measurements are taken after the shift. The camera is very steady throughout the time we are making our measurements, as we can confirm by measuring the position of the picture frame relative to stationary objects. In addition, the image of the north face of the North Tower is exceptionally clear in these images."

"The Missing Jolt: A Simple Refutation of the NIST-Bazant Collapse Hypothesis": journalof911studies.com/volume/2008/TheMissingJolt.pdf

U.S. Naval War College geostrategist/pontificator Thomas Barnett referred to 9/11 as the "first live-broadcast, mass snuff film in human history"; and some of the clearest and best video footage publicly available of the 9/11 "snuff film" was taken by Etienne Sauret, or a cameraperson (Anne Labro?) associated with Sauret. The live footage was shot from SoHo Terrace (145 Avenue of the Americas, 7th floor), Sauret's production studio in the Hudson Square/SoHo neighborhood of Manhattan – a location with a superb view of the north face of World Trade Center 1, the surface that was struck by the "Flight 11" drone at 8:46:40 A.M. on Sept. 11, 2001. Sauret or an accomplice was filming the North Tower carnage prior to the second drone striking the south face of World Trade Center 2 at 9:02:59 A.M.; you can view evidence of this second strike in the live footage, as debris from the "Flight 175" drone bursts through the South Tower.

Thus, had the videographer(s) at SoHo Terrace been "lucky" enough to have been there at that fateful hour – and had they been caught completely unawares by the first plane impact – he/she would have had only 16 minutes to set up a tripod at a suitable spot on the roof, prepare and focus a videocamera, and begin shooting the remarkable live footage that we've seen. What is more probable: that the SoHo Terrace videographer(s) "got very lucky" – or that they had already set up their equipment to film the strike on WTC1 because they had been contracted to do so? Abel Danger deduces that Etienne Sauret and his partner(s) had foreknowledge; and were most likely willing and eager participants – a similar scenario to the deranged mentality displayed in Jules and Gédéon Naudet's snuff film 9/11, and in Chris Korda's "I Like to Watch"; also observe Luc Courchesne's cool reaction as he films WTC2 being struck by a droned plane. We're also wondering: What is the professional and/or personal relationship between Etienne Sauret and Jules and Gédéon Naudet? Why were so many French videographers on the scene before, during, and after the 9/11 attacks on the WTC?

Identification
Name: 145 Avenue of the Americas
Alternative name: 145 - 6th Avenue
Between: Dominick Street and Spring Street
Year built: 1910
Floors: 8
Zone: Hudson Square
Neighborhood: SoHo
District: Manhattan
City: New York City

http://www.nysonglines.com/6av.htm#spring

145 Sixth Avenue

Avenue of the Americas at Dominick Street

SoHo Terrace

Chez Sauret

Planning a "live-broadcast snuff film"?

Unique top floor terrace overlooking downtown New York City. Perfect for Film, Video, Fashion and Photo shoots. Gorgeous scenic backdrop of the quintessential Manhattan water tower skyline. Convenient location. Near all transportation. Fantastic exposure from Sunrise to Sunset.

Our Terrace

SOHO TERRACE is a unique 3500 sf+ space wrapping around the 7th (top) floor of a SoHo residential/office building. Overlooking downtown with a gorgeous scenic view of the quintessential Manhattan water tower skyline, the location is also easily accessible and near all transportation. Over the years the space has been home to many productions in the film, video and fashion industries with great success.

Amazing light throughout the day and fantastic exposure from sunrise to sunset have served as a key benefit to this wonderful location. With a length of more than 70 ft on one side of the terrace and more than 120 ft on the other both with widths of 20ft in depth, this exceptional environment allows for great freedom of movement and an endless variety of camera setups for the most demanding of filmmakers. Natural wood and lush gardens with seasonal plants and flowers add an extra feel and a rich look to this one-of-a-kind oasis complete with the most striking of urban downtown views.

DetailsTotal Area: 3500 sf+
Features: Natural wood deck, with lush gardens; scenic view of downtown Manhattan
Location: 145 Sixth Avenue, between Spring and Dominick

Audio, lighting and video equipment for your needs can also be provided through ISIS Rental, an equipment house located on the floor.

Please contact Aleksandra or Etienne @ 212-337-3789
or via email at etienne@turncenturypictures.com or
aleksandra@turncenturypictures.com.

After the World Trade Center buildings were demolished, Sauret was given access (by whom?) to many areas in the wreckage of 'Ground Zero' and was able to videotape some rather stunning scenes amid the collapsed buildings. Some of this footage appears in his 2002 documentary "WTC: The First 24 Hours", co-produced by David Carrara and Jeremy Rivera, with editing by Tracy Granger:

THE FIRST 24 HOURS
USA, 2002
30 minutes
Produced & Directed by Étienne Sauret
Filmsource information for The First 24 Hours and Collateral Damages:
Anne Labro/ Etienne Sauret
Isis/Turn of the Century Pictures
145 Ave of Americas, 7th floor
New York, NY 10013
212-337-3789 or 646-552-2523
Email: anne@isispost.com

Sarah Klein (above) and Anne Labro (below) (lesbiennes radicales?)

Abel Danger is intrigued by the correspondence between SoHo in Manhattan (South of Houston – pronounced "housed un" – Street), where Etienne Sauret has had his studio; and Soho, the notorious red-light and snuff-film district in London. How were SoHo and Soho connected during the 9/11 attacks?

Creative Industries: How Hollywood plugs into Soho
London is a key interchange on the global film industry's production superhighway
Melanie Clulow
Sunday, 15 February 1998

SOMEWHERE on the information superhighway lies Sohonet, a little purpose-built enclave that Neil Harris likes to describe as a "garden suburb of the Internet". But it's a garden suburb with metropolitan ambitions.

Mr Harris is managing director of Sohonet (http://www. sohonet.co.uk) which, as its name suggests, is a network linking the film post-production companies clustered in London's Soho district with each other and, more importantly, with big players in Hollywood. As a digital network dedicated to one specific industry, Sohonet is a world first.

Established in 1995, Sohonet was a logical response to the film industry's switch to digital equipment and computer processing. Using next-generation asynchronous transfer mode (ATM) technology, which works just like the Internet, only faster, Sohonet provides a means of transferring enormous files directly from one computer to another at high speeds and across continents, eliminating the need to haul bags of tape from site to site.

A post production company can send moving pictures to Hollywood instantaneously, have video-conferences with clients and edit footage accordingly, in real time. Clients can even send film scenes attached to e-mails. "Our network doesn't choke under that kind of pressure," Mr Harris says.

Montaigne : "Quand on me contrarie [contredit], on esveille mon attention, non pas ma cholere ; je m’avance vers celuy qui me contredit, qui m’instruit. La cause de la verité devroit estre la cause commune à l’un et à l’autre. […] Je festoye et caresse la verité en quelque main que je la trouve, et m’y rends alaigrement, et luy tends mes armes vaincues, de loing que je la vois approcher." (Essais, III, 8 "De l'art de conferer")

"When someone contradicts me, he awakens my attention, not my anger; I advance toward he who contradicts me, who instructs me. The cause of truth should be the common cause of each of us. I feast on and caress the truth, in whichever hand I find it, and give myself joyfully to it, and offer it my vanquished arms, from afar when I see it approaching." –Michel de Montaigne